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VN PO`JlfHyHyN PO`ACfHy ~Hy xNPO#VfpA apaHyHy N haPOJ@g/9Hy N NPORm/9VN XO/9RBgBa2O S@gX/9RN>Hy N aPO`BgHyN\OJ@f,HyHy NHy HyNO#Z`*HyHy NHy HyNO#ZJfpAapa0<?BgHy/9ZN.ZaB"A|CANO$y|`A Hm/aPO$R f y|NB|Rm0-meta?@ J@g, yZSh m"yZ iRB`/9ZBgN\O/9ZNXOJo fJpfA",yXN?/ Hy N ypNhBp yxNX\OBx`Hy HyNPO#ZfpAaFpaHyHy NPO`4/9ZNr9AH.a"XOHyHy B"A|CANrO`x yfP/ /NPOJ@gb yfP// HmNfHmNHy/NO9 N4?,B09 29 AtCN\O"9^$9f,yXNJf&"9^,yXNB^L N]NuNUH 0Bm&yt g`+KE " t,yXN#^"$9fN"9^NB^Jlf/ HyN:PO` JN @CfJlg Hy-50NXOJlf 3 ` yf (t3/ NHy/NO 9 NHy/9pNPO&@,H@FgD@f| g0+29 @b@fX09 kcJHy dN..aXO`X g.0+29 @b@f09 kc Hy rN.aXO` gHyHy N$PO`Hy/9xN`POJfHy / N@PO#Rf p Jal`Hy HynNPO#VfpAnaBpaHyHy N yf (|#Bl.NPO#d4Hy /9ZadBWB/9VN yZ"yVNO`<#.6bHy /9Za&BWB/9RN yZ"yRNHO/9RN.VNXOAn",yXNJfpAnaZpa/9/9N./9Hy N.ZNr9AHBW/09 29 AxCNzORm,rMf" ,yXNJfp Ja m&P f ytNBt0-L N]NuJlfJygHy NXO` HyNXONuN NN NBN FN\NNN:N/NvN N4NN>NN `N NNNN!(N `NlNlN/77NNN`N/dN N NN"NDNpNNN NNNNNN,NNN~N NN6NN HN $"("p"4"L""!"d!"v" !"!!"|"""""""F""!"!"j"R"X!""^!":"!!!z!b!X! t n d V P 6 0 &  xbB|,"08 F0ZJ4xZH:(dtfNB2zbT< n^6$FtD2, ~XF&|B."xB~vb19ӲZH8,"  D  V 0 *  r f X L :   j *   x tfV@,n\f`FzjR@4 zhD:0&~@rhvN>4( !! ! 2: J F r\4$t`P:|rbzrl. bvjRF82,6&hX@*xf\VL<6("n^TNxbLb3;#Nv~XRH82rTJ@6," p Z . d L @ "  4 | N " l ^ P 6 nZF2P2&J"!!""@!"!"!4 [] [] [] summary of commands: summary of switches: e,x extract files from archive -p pause after loading l,v show archives contents -m no messages for queries p print extracted files to screen -x consider extended file names t test archive integrity -n no progress indicator a add files to archives -w set working directory m mo7?{gve files into archives -P set priority d delete files from archives -a consider file attributes u update files in archives -u convert file names to uppercase f freshen files in archives -r recursively collect files -S set sort criteria must end with `:' or `/' Pause. Press RETURN to continue... LZHMDUFCould not open file '%s' Lharc: Unknown command '%s' Unsuppo8@8jrted type of compression '%s' !!! Maybe you need a newer version of Lharc Could not create file '%s' WARNING: CRC check failed. WARNING: skipping extraneous/corrupted data Could not remove file '%s' Out of memory. Lharc may not work properly WARNING: Could not pack archive. Delete table overflow: some files won't be deleted. Lharc: Unknown switch '%s' Could not create dir '%s' Could not set file protection bits Wildcards in archive name not allowed 9A_with the '%s' command Could not access directory '%s' Could not set file date I can only check 16 bit CRCs ! -lh0- 0 out of %-8ld%8ld-lh1-Operation successful Operation not totally successful Packing archive... r__OLDwLook at the archive '%s' for an attempt to recover your data. __OLDDirectory '%s' does not exist: create it? (Y/n) - -lh0--lh1-r Listing of archive: '%s' Original Packed Ratio Date Time Type CRC Name -------- -:Bj*----- --- -------- -------- ----- ---- ------------ %8ld %6ld %3ld%% %02d-%02d-%02d %02d:%02d:%02d %.5s %04X %s -lh0--lh1--------- ------ --- %8ld %6ld %3ld%% %ld file(s)r Extracting files from archive: '%s' .txt.DisplayMeFile '%s' not extracted File '%s' already exists: overwrite? (y/N) w Extracting %-12s %8ld bytes %d file(s) extractedr Testing files in archive: '%s' NIL:wNIL: Testing %-12s %8ld bytes -OK- %d fi;C}le(s) tested Adding to archive: '%s' r+ Creating new archive: '%s' w %d file(s) added r Deleting files from archive: '%s' Deleting %-12s %d file(s) deleted Replacing & Replacing &File '%s' not added (it's already in the archive) rw+ Compressing %-12s -lh1--lh0- -> %ld (%2ld%%) *** Path names were ignored *** F/ GPD`6RBcGRD`6rDe&_NuNUH!`N yRShm"yR iRp` <Dr"/9RN "XO.rAd.p,r@$blP@,rc0,?@@9@,Q@0/HLN]NuNUHp,2-ilrmApe yVSh 0,H2( JAk"yV iR`r/9V?N T\O,"QApe` yVSh m"yV iR0,`0,r/9V?N \OT,"QAp2-@0-`9@`0,@9@RJyXgpN N]NuH/p##r9AtB9AB*.`(ArFp0Aw."As0A 1xRET E:mz8<:.<t|`6ArF"H0i0Aw.0A=EW!!1hA1hTERDTX Dro3w,Bl LNuNUH/2~|`0Aw."H&I0 @smCrF,I2RAI20TT mz;|:EtGrF`0k48-SD"HҁArF&H?@ `SDU0/ Se R@2-@A$HԂArFC?/ /?A./B0/H4NP o40* /0Aw.C>./ //H2N(O o 0TERmT&mX+K msmPzGw.`"0HЀA$H Ssm4`5E4RET EsmLLN]NuNUH/. yw*fa HЀA >0,H܆ArF"HRQ0(RD"Hҁ"H?@Qc"RA$HԂ&HRD2/[RDHJ@f>F@SD*HڅArF"H02Aw."H&I0"HҁC3 @slC320 HЀA1 AslA16. HЀA>0JGf8LN]NuNUH+@~Bmp0-ЀA <0OgGRm HЀA<0 Frf0-"a3|3|0-aLN]NuNU/+@0-Hr2tA0r2pA\0@"Aafp?m@@rAaT$N]NuJ,gB yVSh 0,H2( JAk"yV iR`r/9V?N\ORNuNUH#>9|` yRShm"yR iRp` /9RNXO,J@j|p,r@$blP@?Gb[,rc0,?@ @9@,S@2/ JA[DH"@p0ЀAw.> Gse @s?@ aP0/ LN]NuH/a.p0rA0A*p0|A0UF`z yRShm"yR iRp` /9RNXO(J@jxp,r@$blP@,rc2,JA[DH$B@.A9A,S@ SFJ@f @?"@ LNuNUH.-)GJl f/HyN8POJfp`"BaHap2<*;@;A0<r AQx`A 0,"N9@RDp<@l2 yRShm"yR iRp` /9RNXO,R@f H)@z`@H'0<ĐE"NREp<@o2<N09>Do"3> y>n3>Apaf`0<y>aV09z?@`P0,"N9@2-NA0-"r;Al"AR@@2-RAA;@;ANREol4 yRShm"yR iRp` /9RNXO,R@fx HѬ ,cNJl fH/Hy$NnPO`.2-NR0-R@@2-RAASD;@;AJDgN8 REomJDna/,Hy.N 9LN]NuNUH.-)GJl f/Hy4NPOJgaBm0<r AQ;|~`AIh+iv^a, Flp yVSh m"yV iR ` r/9V?NR\O0,"N:9@JyXgpN.A0-"R@@R;@`a2-@SAA @Bm?@?A `0/ m@A| yVSh m"yV iR ` r/9V?N\O0,"N9@JyXgpNA0-"R@@RRm;@0-omncJl f/HyPN^POep?Hx/9RN LN]NuNNNN N-N NNNpa x ~ r BJ l  r^@4 PZF: : *  x *  Pl( @ f\R:4*"LD2<|^4 $ f 2 0 out of %-8ld%8ld%8ld 0 outCK! of %-8ld%8ldNU/Hp-2-@@$HԂAAA00(A $N]NuNU/ &HH`0-3-Sm0-J@n-&_N]NuNU+H m@(h@N]NuNU+H m@N]NuH0&H$I`2Sk m kR ` r/ ?N\OJyXgpNSjm jRp`/ NXO.R@fL Nu0<y HH0<y Hpy 0<y HH0<y Hpy @Nu/9H9HA9HBBA@3 9HJ@jDL R@@9HA9HBBA@3 $NuNUH00&HH0- J@j"DA`"JAgSAgSAgL`&SJf`$m`&SJg S // aPOJ@f S // N(PO2- JAn``0- J@j"DA`"H?@`&JJg@ S //-aPO$SJ@f0*2-$@6/JBn̲@f0-jJCn$S mJfS @ ?NTO&JfpN S "mf S1m1m!m L N]NuH0&o $o`A / /NHPOJ@f `&S fpL NuH0&H` &S/ NbXO$K fL NuNU/.- Jfp` -rdNh"Nrd .N]NuNUH0H~|EML`2RFr*f$+f RG mp`#RF m?``RG m&H$mJfB2`L N]NuNUH!09THyNlXO9U"<Q/@N`+@ /"<QNN /ArB/ N.0<?HyN.NOL NuH0&o$o~|` r/fRGJf` r/fRFJfFop`pL NuGO~ZN NNTN-0N FN0N/NvNNN NNNN/dNN$NN Ntznp`LxhVB4"<,N ,rcon:0/2/640/%d/Lharc: contents of file `%s'r+ Press RETURN HQ>Eeto continue...  0@PX`hpx  !!""##$$%%&&''(())**++,,--..//0123456789:;<=>?PSRQIRێ @AAā@ A΁@ ˁ @ AAځ@߁@AՁ@AAЁ@01A32@67@54A<=@?>A:;A98@()@+*A./A-,@$%A'&@"#@! A`aAcb@JS߅ufg@edAlm@onAjkAih@xy@{zA~A}|@tuAwv@rs@qpAPQ@SRAVWAUT@\]A_^@Z[@YXAHIAKJ@NO@MLADE@GFABCAA@@(/ ((((( HK1 ((((( H  J@jxp,r@$blP@,rc2,JA[DH$B@.A9A,S@ SFJ@f @?"@ LNuNUH.-)GJl f/HyN8POJfp`"BaHap2<*;@;A0<r AQx`A 0,"N9@RDp<@l2 yRShm"yR iRp` /9RNXO,R@f H)@z`TUm WVUdi README.DOCpTVsZ Last minute notes: For "AA Chipset" users ... Use the "AAcs" button(s) to get 8-plane HAM or 256 color images They can be viewed from Imagine and used in "quickrender"ing. DO NOT attempt to make a AA mode animation (Imagine or ANIM format) -- there is a known bug which produces random symptoms, but always crashes the mackine -- will be fixed for 3.0 Revised Installation Instructions: 1. Make a directory on your hard disk TW9}d -- e.g. Makedir Work:Imagine2.9 ... or, use the workbench to create a directory with icon 2. Copy the ENTIRE contents of this diskette into it -- e.g. Copy df0:#? Work:Imagine2.9 3. Change into the new directory -- e.g. CD Work:Imagine2.9 4. The "LHARC" program should be in there ... type the following commands to extract the Imagine program and texture and F/X modules LHARC x im -- to extract Imagine.fp or ImagTk/0ine.int LHARC x itx -- to extract the texture (.itx) files LHARC x ifx -- to extract the F/X (.ifx) files 5. You can move the textures and F/X into thier own directories if you wish, or just leave them where they are. 6. Type RUN Imagine.fp (floating point version - for FPU machines), or RUN Imagine.int (integer version) to "run" the new software. Hpy @Nu/9H9HA9HBBA@3 9HJ@jXHY<~}|{zyxwvutsrqponmlkjihgfedcba`_^]\[ZY<C TEXTRS.docpXZ8Over all texture notes: In textures that take color, many of the requesters will take a negative (<0.0) value and treat it as "ignore this." This could mean, "ignore the adding color portion of this texture", or, "ignore the adding reflect value portion of this texture" - This lets the objects previous attributes show through rather than modifying them. The textures have very little in the way of error checking - This was done to keep the rendering speeds from getting X[ slower. Many of the textures thus have suggested ranges for some of the parameters. If you enter numbers outside of the suggested ranges, you may get some unpredictable results (and may crash the render, although I haven't seen this happen). Textures types that are bump, filter, and/or reflect will take a little more time to render than color. At the end of the texture information there is a "sample object". To see a example of the described texture, add this saX\ 4mple object in the detail editor and apply the texture. Leave the default options as they are and quick render the object. You will get a good example of the texture, but remember to experiment with these options ================================================== Space Filling Textures: ================================================== Agate Texture Type: Color. This texture is an attempt to emulate the color patterns in some types of marble, agate, or jade. TheX]@. defaults in the requester apply themselves best on a white object. This texture is scale-able in all 3 texture axis independently, and works by associating 4 colors with 4 threshold ("T") values. The threshold values are arranged between 0.0 and 1.0 and are associated so that the "T" values T1 to T2 blend the objects base color to the textures "color 1." T2 to T3 associates from "color 1" to "color 2", and T3 to T4 blends from "color 2" to "color 3." Requester: X^Y;LX, Y, and Z Sizes: These allow you to scale the overall size of the grain in this texture, or the grain can be lined up in a certain direction by scaling in only one direction. For example, scaling only in Z will make the grain stretch in the Z direction. T1, T2, T3, and T4: These are the user controllable threshold values. T1 to T2 adjusts the blending of the object color to 'Color 1'. T2 to t3 controls the blending from 'Color 1' to 'Color 2', etc. Color 1, ColorX_M  2, Color 3: These are all the color setting RGB valued for the Agate Texture. Remember, the first color is taken from the color on the object. If any of these colors are set to a negative value, the color will be taken from the color already on the object. sample obj: primitive sphere ================================================= BumpNoiz Texture Type: Bump. This texture applies a random bump map to an object to make the object's surface un-smooth. The X`Ztexture is independently scale-able in all 3 texture axis directions, and has bump magnitude and % flat adjustment. The % flat allows you to take an object and put dings or pits in the surface (or on the surface) and by adjusting the scaling to the extreme, you can get a sort of brushed metal appearance. The noise value can be positive or negative, and its value determines the apparent depth and direction (in or out) of the bumps. This texture has 2 separate, indepenXadently adjustable noise functions that can be applied in a single requester. Requester: X, Y, and Z Sizes: These are the scaling values that allow you to alter the size of the bumps, or to stretch them in a particular axis to make the bumps line up. Bump Noise: This is a depth adjustment for the bumps (how bumpy it is). It can be set to either a positive or negative value. % Flat: This value adjusts what percentage of the surface iX bTfs covered with the bumps. Adjusting this will give you a pitted look. sample obj: primitive sphere ================================================== ColrNoiz (Color Noise) Texture Type: Color, Reflect, Filter. This texture applies random colors to an object with a little bit of control and a threshold value for applying it like a random growth on the object. This texture is scaleable in each texture axis independently, and you set a base color for the random appX crlication. There are several "Vary" parameters that take the texture color and the Ref./Filt values from the original object and vary them by the percentage entered. For example, if the texture color is set to white (255, 255, 255), and you set the red/green/blue vary values to 0.5, 0.0, and 0.0, the green and blue colors in the texture will stay fixed at 255 each (full on), and the red color will vary from 255 to 0.5 of 255 (about 127). This way, the texture will appX dr\ly itself as colors varying from full white to a bright, light cyan. The "Noise Threshold" is used to turn the texture off in random wandering areas on the surface of the object. All parameters except the sizing and color setting parameters are to be set between 0.0 and 1.0. Negative values in the color params will turn off the color part of the texture so you can just mess with the filter/reflect values. Requester: X, Y, and Z Scaling: These parameters allow you tX ey:o adjust the size and approximate shape of the color patches applied by this texture. Scaling them together will adjust the size of the patches, scaling only in one axis will stretch the shape of the patches. Color Red, Green, and Blue: This is the setting for the base color of this texture. Red, Green, and Blue Vary: These values help to control the randomness of the colors. Setting these to zero says, "take the base color, and don't vary any of the coloX f؊1r guns." Setting, for example, the Red Vary to .5 says, "allow the red color to vary randomly from it's base value to 50% of turning The red color gun all the way off." As a default, the base color is all-on (White) and each color varies randomly to 70% of all-off (Black). If any of these parameters are set negative, a random color will not be added. Color "Value" Vary: This parameter varies the color one more time by randomly pushing the color patches towards blXgXack. Reflect Level Vary: This parameter adds random reflectance to the surface of an object. If this value is negative, the reflect value of the object will not be altered. Filter Level Vary: This parameter adds random transparency to the surface of an object. If this value is negative, the filter value of the object will not be altered. Noise Threshold: This parameter tells the texture to cover a percentage of the object surface. SXh݊ etting it to 1.0 means 100%, 0.5 means cover 50% of the object surface with ColrNoiz. sample obj: primitive sphere ================================================ Confetti Texture Type: Color, Reflect, Filter. This texture applies a confetti like scattering of colored particles on the surface of the object. The parameters allow you to set 2 color values - all confetti bits will be of a color between those 2 colors. The particle shapes are cubes in the XYZ space oXiBߗcf the texture axis - by rotating the texture axis, you will get different slices of the particles showing up on the surface of your object. The particles also have filter and reflect values that can be set. This way, you can put opaque particles on a glass object, or clear holes on an opaque object, etc. The parameters, V1 and V2, set up the density of the particles. V1 must be less than V2, and if V1 is near V2, the particles will be fewer and farther between. RXj,equester: Size: This parameter sets the size of the confetti particles. V1, and V2: These parameters are set to turn a range of confetti particles on or off. The size of the range between V1 and V2 determines how much of the original surface is covered by particles, and the starting and ending values determine which of the particles are turned 'on.' Color 1 and Color 2: These two colors set up the range of colors that the pXkarticles can have. If you set one to red and one to yellow, you will get particles that vary in color from yellow to red (mostly orange). If you want all the particles to be the same color, set both of these to the same colors. Setting any of these values to negative will tell the texture to take this color (1 or 2) from the color already on the object. Reflect: Reflect sets the reflection colors for the particles. Any negative values will tell Xlp7the texture to not modify the reflect value already on the object. Filter: Filter sets the transparency colors for the particles. Any negative values will tell the texture to not modify the filter value already on the object. example obj: primitive sphere ================================================= Crumpled Texture Type: Color, Reflect, Bump. This texture sort of does the used-tinfoil/crumpled-and-flattened-back- out-paper-bag look.XmtN Crumpled is scale able in each axis independently, and can modify the smoothness of the surface, or just add color, or both. Just adding color does something that looks like the canals of Mars, and using the bump adjustment will make the surface appear crumpled, like wrinkled metal. There is a clipping function that lets you flatten out the tops of the creases or the bottoms of the 'crumples'. Requester: X, Y, and Z Size: These are the scaling parameXn8[ters. They can be used to scale the entire texture, or the texture can be squashed or stretched by scaling each direction independently. Noise 1 and 2: These are the two noise functions. The magnitude value adjusts how much to alter the shapes (a lot, or a little), and the velocity value adjusts weather the noise is applied in a fast and jerky or slow and gradual manner. Bump Adj: This adjusts how deep the crumples look (or how higXoSh if set to a positive number). Setting it to 0.0 turns off the bump mapping part of this texture. Top/Bottom Clip: These can be use to flatten out the bottoms/tops of the crumples. Bump Color: The center of the crumples can be changed here. The default comes in making the centers black. You can turn off the crumple coloring by setting any of these color parameters to a negative number. by adding color to an object, this texture automatically reXpduces the reflectivity in the areas where color is applied. Color Clip: Color Clip sets how much of the crumple is to be colored. A smaller value will color only the centers, whereas a larger number will cause the colors to combine between crumples. Dispersion: This value can be used to shut off some of the crumples. sample object: primitive sphere. ================================================= DinoSkin Texture Type: ColoXqYpr, Bump. Coolnesstivity - This texture is a shot at the scaly / bumpy / wrinkly thing that dinosaur skin does. Dino Skin works in three dimensions, and is scale able in each axis direction independently. The texture has two noise functions in it, one's for the slow waviness of the skin and the second is for the local randomness of the shape of the bumps. There is an adjustment for the apparent depth of the bumps, an adjustment for flattening out the tops of the bumpXr*}.s and one for flattening out the spaces between the bumps. You can also add a color that only applies itself to the tops of the bumps. Requester: X, Y, and Z Sizes: These allow you to scale the overall size or alter the shapes of the bumps by scaling in only one direction. Noise 1 and 2: These are the two noise functions. The magnitude value adjusts how much to alter the shapes (a lot, or a little), and the velocity value adjusts weather the noise is XsRJapplied in a fast and jerky or slow and gradual manner. As the default, the first noise function applies the slow, large waves in the skin, and the second applies the fast, small random changes in the shapes of the bumps. Bump Adj: This can be used to alter the height of the bumps - and even invert them. Top / Bottom clip: These are used to clip the tops and bottoms off the bumps. Clipping the top can make the bumps look more like the stones in a waXtX%-lkway (or like some cross section of an internal organ, or like a dinosaur leaning up against a fish tank.) Clipping the bottom makes the texture look like stones protruding out of cement (or like a dinosaur not leaning against a fish tank.) For these clipping values, note that the high range value is 1.73, not 1.0. This could have been changed but was left for the sake of performance. Bump Color Red, Green, and Blue: These set the color that can be applied to the XuWztops of the bumps. A negative value will shut off the bump coloring. Color Clip: This works like the top/Bottom clip, except it works with the applied bump color. A value of 0.0 will apply no color to the bumps, 1.73 will apply full color at the tops and just fade to the object color at some of the spaces between bumps. Note: Apply this texture "as is" to an object with a dark-dark green color for a good Dino skin. sample objXv]ect: primitive plane (or anything) ============================================ Easy Wood Texture Type: Color. This texture applies color to an object to make it look as if the object was hewn from a single block of wood. The rings of the grain are centered around the Z axis. The ring color is set within the texture requester, and the color of the spaces between the rings comes from the object color. Use the requester's scaling values and rotate the texture axis toXwL get different "looks." This texture only adds color, not surface bumps, to an object. Requester : X, Y, and Z Sizes: These allow you to scale the overall size of the rings, or to alter the shapes of the rings by scaling in only one direction. Noise: Adds noise in the X and Y directions to make the rings more wiggly. Ring Width: This parameter sets the width of the rings. "0" is no ring, all object color, and "1" would be all rinXx$g color with no spaces. A value of about .5 gives you half and half ring and spacing. Ring Vibration: Ring Vibration puts a vibration in the Z direction of the grain. Color: These set the color of the grain. example obj: primitive sphere ================================================= Leather Texture Type: Bump. Leather is a bump only texture that emulates the graininess of leather or wrinkles. The texture can be scaled in eX y`D]ach axis independently, the grain width can be adjusted, and the apparent depth of the grain can also be set. Requester: X, Y, and Z Sizes: These allow you to scale the overall size of the leather grain. You can also get to grain to orient along a single axis scaling in only one direction. V1 and V2: These parameters are upper and lower threshold levels that allow you to adjust the width of the grain. Bump Adjust: This sets theX!zφ apparent depth of the grain. sample object: primitive sphere. ================================================= Monster Texture Type: Color, Bump. Monster is a gory hamburger-like texture that looks like some sort of creeping-crud disease. The texture is made up of a bumps with bumps on them (clumps of bumps?), and there are two colors that can be set to color the bumps. There is also a dispersion value that is very effective with this texture. It allows you toX"{g turn on clumps of bumps so you can get these big scabby looking areas (clumps of clumps?). Requester: X, Y, and Z Sizes: These allow you to scale the overall size of the texture. You can get these bumpy clumps to line up along a single axis by scaling in only one direction. Noise 1 and 2: These two noise functions are used the same as in DinoSkin. The magnitude value adjusts how much to alter the shape of the texture, and the velocity value adjustsX#|6) weather the noise is applied in a fast and jerky or slow and gradual manner. As a default, the first noise function adds a high magnitude, low frequency randomness to the texture and the second adds some medium magnitude, fast frequency randomness. Bump Adjust: This adjusts the apparent height (depth) of the bumps. Bottom Clip: This sets the position where the edge of the clumps meet the object surface. Turning it down makes the clumps smaX$} ller. Big and Small Bump Colors: These are where the colors of the big bumps (clumps) and the small bumps (bumps on clumps) are set. Setting them to negative values will turn the coloring off. Color Clip: This value allows you to adjust approximately how much of the color is applied to the centers of the bumps. Dispersion: Dispersion sets which clumps are turned on. A value of 1.0 causes the texture to cover the whole object, 0.5 causesX%~E- the texture to cover only 1/2. note: if the bumps start looking too square on the bottom, set the Bottom Clip parameter closer to zero. sample object: primitive plane (or anything) ================================================== Mosaic Texture Type: Color, Reflect, Filter, Bump. Mosaic is a texture that tries to do the broken tiling look that mosaic tiles have. It adds color and a random orientation to the tops of each tile. Three colors can be added andX&T)/or turned off. Two of these colors set the range of tile colors, and the third sets the color of the grout between the tiles. Requester: Scale Adjust: This parameter adjusts the size of the mosaic tiling. It can only be scaled as a whole. Colors 1 and 2: These Color parameters set up the range for the tile colors. The defaults are set to red and blue, so the tiles that are produced range from reds to violets to blues. Either or both of these X'7 can be set to a negative value in which case they will get their values from the colors already on the object. Bump Adjust: The tiles in Mosaic can be given a random orientation (like they are not all laid perfectly flat). This parameter allows you to adjust just how irregular the tile orientation is. Grout Width: This parameter allows you to adjust how wide the grout lines between the tiles are. A value of 0.0 will make the grout lines disappeX(^ar, and a value of 1.0 will cause the grout to completely cover the tiles. Grout Color: These color parameters are used to set the color of the grout. If you use a negative value for any of the parameters, the grout color will be taken from the color already on the object. Filter / Reflect: These parameters allow you to make the tiles reflective or transparent. Filter / Reflect Vary: These parameters add a randomness to the values set in X)}the Filter / Reflect parameters. This way you can have tiles of varying color, transparency, and reflectiveness. sample object: primitive sphere. ================================================= Noiz2 Family: The Noiz2 Family of textures came out of the need for a more controllable random color texture. The result is a texture that allows you to enter three colors, of which it will pick colors between any two of them and apply the resulting colors randomly over anX*^C: object. The texture ends up looking more like poorly mixed paint, but this works pretty well for trying to emulate some kinds of marbling. There are three textures in the Noiz2 family - ClrNoiz2, FilNoiz2, and RefNoiz2. They all have the same base algorithm, but one works with colors, one with filter values, and the third with reflectance values. Each texture has fully controllable colors, scaling and noise functions. Requester X, Y, and Z Scaling: These paramX+\eters allow you to scale these textures, and by scaling non-uniformly in all three directions, you get the texture to stretch and orient itself in a particular direction. Noise 1 and 2: These are the noise functions used to alter the randomness of the color patterns. The magnitude value adjusts how much to alter the shapes of the color areas, and the velocity value adjusts weather the noise is applied in a fast and jerky or slow and gradual manner. Color/FX, bilter/Reflect 1,2, and 3: Each of the Noiz2 textures has 3 sets of RGB values to be set. ClrNoiz2 has 3 sets of color information, FilNoiz2 has 3 of filter values, and RefNoiz2 has 3 of Reflect data. These 3 sets of color/filter/reflect information tell the texture where to interpolate to get the colors you want. (Sorry, it's really much easier than it sounds. Just play with it...) ClrNoiz2 Texture (Color Noise 2) Type: Color. sample object: primitive sphere. ===X-UzU============================================= RefNoiz2 Texture (Reflect Noise 2) Type: Reflect. sample object: primitive sphere. ================================================= FilNoiz2 Texture (Filter Noise 2) Type: Filter. sample object: primitive sphere. ================================================= Pebbled Texture Type Color, Reflect, Bump. This Texture does the pebbled looking texture that is sometimes seen on plastic and metal parts. The texture applieX.0Xs a lot of tightly packed and overlapping spherical bumps to the surface, and it can also add color between the bumps which will look like an antique finish has been applied to the surface. Requester: X, Y, and Z Sizes: These 3 parameters are used to scale the bumps and can be used to scale in each axis independently, stretching the bumps along those axis. Noise 1 and 2: These are the noise functions used to alter the randomness of the pebbled patteX/irn. The magnitude value adjusts how much to alter the shapes of the bumping pattern, and the velocity value adjusts weather the noise is applied in a fast and jerky or slow and gradual manner. Bump Adjust: This parameter sets the apparent height (or depth if set to a negative value) of the bumps. Top and Bottom Clip: These can be used to adjust the spacing between the bumps (bottom clip) or can be used to clip off the tops of the bumps (top clip). X0}$Bump Color: This is color that will be added in the spaces between the bumps. Setting any of these to a negative value will turn the coloring part of this texture off. Color Clip: This is used to control the bump color. The color goes from the space between the bumps to some portion of the way to the center of the bumps. How far the color goes towards the center of the bumps is controlled by this parameter. Dispersion: X1& This parameter is used to turn bumps off, and sets up what percentage of the surface is covered by bumps. Adjusting this messes up the bump coloring so you may want to turn off the coloring aspect of this texture if you change the dispersion. sample object: primitive sphere. ================================================== Peened Texture Type: Color, Reflect, Bump. This Texture does the peened (hammered) looking texture that is sometimes seen on finished mX29cSetals. The texture applies a lot of tightly packed and overlapping spherical dents to the surface, and it can also add color into the dents which will look like an antique finish has been applied to the surface. Requester: X, Y, and Z Sizes: These parameters are used to scale the dents in this texture. Scaling these independently so that the dents get really stretched out can create an almost scratched or grainy look. Noise 1 and 2: These are the noX3q:ise functions used to alter the randomness of the dented pattern. The magnitude value adjusts how much to alter the shapes of the dents, and the velocity value adjusts weather the noise is applied in a fast and jerky or slow and gradual manner. Bump Adjust: This is used to alter the apparent depth (or height if a positive value is used) of the dents. Top and Bottom Clip: These parameters can be used to change the spacing of the dents (bottom clip) or X4ęused to flatten out the centers of the dents (top clip). Bump Color: This color is added into the dents of this texture. This coloring can be shut off by entering a negative value in any of the parameters. Color Clip: Coloring on this texture starts at the center of the dents and fades out to the edges. This value sets how far the coloring goes. Dispersion: This parameter is used to control what percentage of X5ԩbthe surface is covered by these dents. Setting it to a lower number turns off a portion of the dents. sample object: primitive sphere. ================================================== Rainbow Texture Type: Color. This texture applies color to the surface of an object based on the direction that point on the surface of the object points relative to the texture axis. There is three color values which may be set, one for surfaces which point in the X direction, onX6Ve for the Y direction and one for Z. This texture is most effective when applied to a very bumpy object, or if applied after a texture that makes the surface appear bumpy. Requester: X Color/Reflect/Filter: These parameters control the colors that appear prevalently on the surfaces that are nearly perpendicular to the X axis. Any of these can be shut off by entering a negative value as a parameter. Y Color/Reflect/Filter: These parameters control the colors thatX7>F appear prevalently on the surfaces that are nearly perpendicular to the Y axis. Any of these can be shut off by entering a negative value as a parameter. Z Color/Reflect/Filter: These parameters control the colors that appear prevalently on the surfaces that are nearly perpendicular to the Z axis. Any of these can be shut off by entering a negative value as a parameter. sample object: primitive sphere. ================================================= Scratch TX8|exture Type: Color, Reflect, Bump. This Texture applies random scratches, dings, and dents to the surface of an object to give it a very beat up, and rough look. The texture applies several long and thin, overlapping cuts and dents which are intersected by the surface. This intersection creates the scratched up appearance. It can also add color to the scratches which will look like an antique finish or dirt has been applied to the surface. Requester: X, Y, and X9UFZ Sizes: These parameters are used to scale this texture. If you look at the defaults in this texture you will note how the independent scaling in each axis direction is used to give the scratched look. Noise 1 and 2: These are the noise functions used to alter the randomness of the scratched pattern. The magnitude value adjusts how much to alter the shapes of the scratched areas, and the velocity value adjusts weather the noise is applied in a fast and jerky oX:ibqr slow and gradual manner. Bump Adjust: This parameter is used to adjust the apparent depth (or height if you use a negative value) of the dents that make up the scratches. Top and Bottom Clip: These parameters can be used to adjust the spaces between the scratches (bottom clip) and can be used to flatten out the bottoms of the scratched areas (top clip). Bump Color: This is the color that will be drawn into the scratches. The coloring cX;Fɍan be shut off by entering a negative value in any of these parameters. Color Clip: This can be used to adjust how much of the dented area gets colored. The coloring radiates from the centers of the scratches to their edges. Increasing this number will let the coloring overlap outside the edges of the scratches, decreasing it will make the color only apply to a smaller area in the center. Dispersion: This parameter is used to X<=40turn on (or off) a percentage of the scratches. 1.0 turns on all the scratches, 0.5 turns on about half. sample object: primitive sphere. =============================================== Splotch Texture Type: Color. This texture is a little complex to explain. It applies itself to an object as a random flow of numbers between 0 and 1.0 all over the surface of the object and allows you to map ranges of these numbers to a function that changes the "value" (full cX=KpQolor to black) of the objects original color. The number range, between 0.0 and 1.0 is divided up by the "T" parameters. The Values you want mapped are set with the "F" parameters. "Value", F1, maps itself between T1 and T2 so that at T1, the objects original color is at full (1.0) value, and at T2, the objects color is to F1 value. Then the texture flows so that from range T2 to T3 the value will go from F1 to F2, etc. The "value" numbers ("F" numbers) are adjX>Tust so that 1.0 means `original object color value`, 0.0 means `object color pushed to black', and 0.5 means `original color blended with 50% black.' - Good luck... I use it and like it for dirtying up things and making stone-like tiles. Requester: Size: This allows you to scale the size of the splotches. F1 through F7: Parameters for setting color "Values." T1 through T8: Parameters for setting associated ranges. X?)6)sample obj: primitive sphere =================================================== StainGls (Stained Glass) Texture Type: Color, Filter, Bump. The idea of this texture is to create the stained glass look of random bits of different colored glass separated by leading (led-ing). The texture is designed so that a shadow casting light source will cast musty-colored shadows after passing through an object with this texture on it. This texture can also apply a bump to the pX@@ieces of glass. The texture takes three colors, two of which are used to interpolate colors for the bits of glass, and one for the color of the lead. Requester: Scale Adjust: This parameter adjusts the size of the glass bits. It can only be scaled as a whole. Colors 1 and 2: These color parameters set up the range for the glass colors. The defaults are set to red and blue, so the pieces that are produced range from reds to violets to blues. EithXAPNer or both of these can be set to a negative value in which case they will get their values from the colors already on the object. Bump Adjust: The surface of the glass bits can be given a random surface bump. This parameter allows you to adjust just how deep this pump appears. Leading Width: This parameter allows you to adjust how wide the lead between the pieces of glass are. A value of 0.0 will make the lines disappear, and a value of 1.0 wiXBby3ll cause the lead to completely cover the surface. Leading Color: These color parameters are used to set the color of the leading. If you use a negative value for any of the parameters, this color will be taken from the color(s) already on the object. Bump Velocity: This parameter can be used to adjust the size of the bump mapping on the glass. Transparency: These parameters allow you to set the overall transparency of the glass bits. XCݵ_ sample object: primitive sphere. ================================================= Statue Texture Type: Color, Bump. Statue is a surface texture that applies random shaped swatches that look like flakes of the surface have worn away. The texture can also apply color to the areas that have are gone, perhaps giving the object a more weathered look. The shapes of the bumps can be controlled by changing the size of the texture or by using the two noise functions to XD disturb or smooth out the original shapes. Requester: X, Y, and Z Sizes: These parameters are used to scale the texture, and by scaling in only one axis direction, you can stretch the surface pattern in that direction. Noise 1 and 2: These are the noise functions used to alter the randomness of the surface texture. The magnitude value adjusts how much to alter the shapes of the chipped out areas, and the velocity value adjusts weather the noise is apXE8plied in a fast and jerky or slow and gradual manner. Bump Adjust: This parameter adjusts the apparent steepness of the edges of the worn away area. Top and Bottom Clip: Bottom clip adjusts the spacing between the chipped out areas. The top clip adjusts how much of the middle of the chipped out area is flat. The difference between these two determines how wide the sloped areas will be. Bump Color: This is the color that can be added to tXFmhe center of the chipped out areas. As a default the red value is negative which shuts of the addition of color. Color Clip: When color is added, this parameter determines how far out from the center of the chipped out areas the color will go. Dispersion: This parameter tells what percentage of the chipped out spots should be added. 0.5 will apply about half of the total possible chipped out spots. sample object: primitivXG3}de sphere ============================================ Worm Vein Texture Type: Color, Reflect, Filter, Bump. This ones cool. This texture applies wandering worm-like things to the surface of the object. The worms can be color and/or bump mapped onto the object and is scale-able in all 3 texture axis directions independently. This scaling allow you to squish the texture until it looks like the veining is oriented in a certain direction. The bump mapping allows you tXHOso apply raised, flat, or indented veins, and the color/reflect/filter values allow you to color the veins. Negative values in color/ref/filt will cause those aspects of this texture to be ignored. The texture also has a V1 and V2 parameters that are an attempt to make the vein width adjustable, but wide ranges don't map very well. Requester: X, Y, and Z Sizes: These parameters are used to scale this texture. By scaling any of these up in a particular axis diH0<XXIٸrection, you can get the veins to line up towards a certain direction. V1 and V2: Together, the difference between these parameters determines the width of the veins. Color/Reflect/Filter: These parameters set the attributes of the veins. A negative value in any of these parameters will tell the texture to take that particular attribute from what is already on the object. Bump Adjust: This adjusts the apparent height (or depth if XJ7you use a negative value) of the veins on the surface of the object. sample obj: primitive sphere ================================================== Wrinkle Texture Type: Color, Reflect, Bump. This texture is a bump noise type that, through scaling and noise functions, applies itself in wiggly lines across the object. The texture also has the ability to apply a semi-controlled, random color pattern to the object that follows the same patterns as the bumps. The apXKfDCplied color is interpolated from somewhere between two colors that you set up. Requester: X, Y, and Z sizes: These parameters are used to scale the size of the wrinkles and, scaled independently, can be used to alter the shape and alignment of the wrinkles. Noise 1 and 2: These are the noise functions used to alter the randomness of the bump patterns. The magnitude value adjusts how much to alter the shapes of the bumpy areas, and the velocXLity value adjusts weather the noise is applied in a fast and jerky or slow and gradual manner. Bump Adjust: This parameter adjust the apparent height (or depth depending on your perspective) of the wrinkles. Colors 1 and 2: These two color settings can be used to apply a random coloring to the object which will follow the same basic patterns as the wrinkles. sample object: primitive plane ================================================== ZXM.Kooloo Texture Type: Color, Bump. This texture applies (sort-of) stripe shaped, random splotches of color to an object. The scaling in X, Y, and Z give the splotches their stripe- like look. The amount of noise can be varied in all the texture axis directions to disturb the shapes of the splotches, and the size, color, and the surface orientation of the splotches can be altered to make the specularity play across them differently. Requester: X, Y, and Z Scale: XNBEt These parameters are used to scale the texture, and they can also be use to stretch the shapes of the "spots" when adjusted independently. Disturbance: This parameter adds noise to the shapes of the bumps. The higher this number, the more wiggly and un-round the spots will get. Dispersion: This parameter will randomly turn off a portion of the spots. It can be used to determine how much of the surface is covered with spots. PerceXOnt Colored: This parameter controls the size of the spots on an individual bases. Setting this to a smaller number will make the spots smaller. Stripe Color/Reflect/Filter: These parameters set the attributes for the spots themselves. Setting any of these values to a negative number will make the texture take this particular attribute from that on the object already. Angle Vary: This parameter is used to the surface orientation of the spotXPV$4s themselves. The higher this value, the higher the possible angle difference could be from that the object originally had. sample object: primitive sphere ================================================== 2D Textures: ================================================== BathTile Texture Type: Color, Bump. This texture applies itself only on an X-Y plane (the texture's Z axis must be coming out of the planes surface for it to be effective). The texture allows yXQuou to control the spacing between tiles, the width of the flat area between tiles, you can stagger the tiles like bricks, and you can apply the tile texture in a checkerboard pattern. The texture also allows you to color the grout, but you can turn the grout coloring off by setting any of the color params to a negative number. Note: The bevel width and grout width parameters are based on a 1.0 x 1.0 tile size (regardless of the X and Y size settings). experimentatioXRn is the best way to find out how these work. For example, a bevel width of .25 and grout width of 0.0 will give no flat spots between the tiles and the bevel will reach 1/4th of the way across the tile's face. Requester: X and Y Size: These parameters are used to scale the tile. By setting these to non-equal numbers, you can get tiles that are shaped more like bricks. Bevel Width: This parameter represents what fractional part of the tilXSӯe surface will be beveled. Bevel Slope Adjust: This adjusts the apparent steepness of the bevel on the tile. Grout Width: Grout width represents the width (again as a fraction of the tile size) of the spaces between the tiles. Grout Color: These values will tell the texture what color to make the spaces between the tiles. A negative number in any of these parameters will turn off the addition of color. Stagger Adjust: This parameXT#xter will stagger every other row of tile by some fractional part of the tile width. A value of 0.5 will stagger the tiles so that they are stacked like bricks. Apply As Checks: Any positive value in this parameter will turn off the texture over every other tile so that the tiles get applied in a checker-board pattern. sample obj: primitive plane with Z axis perpendicular to surface. (or ground) ================================================= ShinglesXUw Texture Type: Bump. This texture applies a bump map to an object that sort of emulates the shape of roofing shingles. This texture only works in 2D so apply it to a plane with the Z axis coming out of the surface, and the Y axis pointing towards the peak of the roof. Requester: X, Y, and Z Sizes: These parameters are used to scale this texture. Scaling any of these independently can stretch the shingles in that particular direction. Shingle Ht and Width :XVt These parameters set the height and bottom edge width of the shingles as a fraction of the total size that a shingle and it's bevels take up. Face Slope Adjust: This parameter lets you adjust how much the face of each shingle looks like it is sloped from perpendicular to the surface on which the texture is applied. Bottom, Left, and Right Edge Slope: These parameters adjust the apparent steepness of the bevels on the shingles. Stagger Adjust: ThiXWH3s parameter can be used to stagger every other row of shingles. This parameter defaults to a value of 0.5 which stacks the tiles like a brick wall. Slope Variance: This parameter adds some randomness to the directions that the faces an bevels face on the shingles. Shingle Size Vary: This can be used to add some randomness to the sizes of the shingles. Apply As Checks: By entering any positive number in this parameter, you can tell this texture XX ݑto only apply every other shingle. sample object: primitive plane with Z axis perpendicular to it's surface. ================================================= TriChex Texture (Triangle Checks) Type: Color, Reflect, Filter, Bump. This is another checkerboard texture, but this one applies itself based on a triangular pattern. The checks are independently scale able in all the texture axis directions. A base color can be set (or turned off), and the base color can be vaXYTried independently in all three colors as well as a whole. The reflectance and transparency of each check can be randomized and the apparent surface orientation of each check can also be altered. Requester: X and Y Size: These parameters can be used to scale the checks, and each can be scaled independently to change the shapes of the triangles. Color: These are the parameters that set up the base color for the texture. Red/GreenXZ/Blue Vary: These Parameters tell the texture how much it can randomly alter each of the color values set in the base color. Color 'Value' Vary: Color "Value" tells you how far from black a color is. By changing this parameter, you can randomly alter the value of each check the texture makes. Reflect/Filter Level Vary: These parameters are use to randomly alter the reflectivity and transparency of triangles in this texture. Plate Angle Vary: X[ This parameter can be used to randomly alter the direction of the surface of each check in this texture. Apply as Checks: Any positive number in this parameter will tell TriChex to apply itself in every other triangle position (like a Chinese checker board). sample object: primitive plane with Z axis pointing out of the plane's surface. ================================================= TriTile Texture Type: Color, Bump. This texture is just like BX\{uathroom Tile except that it applies itself as triangle shaped tiles. Requester: X and Y Size: These parameters are used to scale the tile. By setting these to non-equal numbers, you can change the shapes of the triangles that make up the tile. Bevel Width: This parameter represents what fractional part of the tile surface will be beveled. Bevel Slope Adjust: This adjusts the apparent steepness of the bevel on the tile. Grout WidthX]d|c: Grout width represents the width (again as a fraction of the tile size) of the spaces between the tiles. Grout Color: These values will tell the texture what color to make the spaces between the tiles. A negative number in any of these paraters will turn off the addition of color. Apply As Checks: Any positive value in this parameter will turn off the texture over every other tile so that the tiles get applied in a Chinese checker-boardX^ pattern. sample object: primitive plane with Z axis pointing out of the plane's surface. =================================================== Weave Texture Type: Color, Reflect, Filter, Bump. This texture applies both bump mapping and colors to an object to make a weaved pattern like you would find in lawn chair webbing. The width of the strips in the weave can be adjusted as can the vertical and horizontal striping color. The amount of bump can also be altered X_Ufrom totally removing the bumps to making them appear very bumpy. Negative bump values look kind of fakey because they put the spectral spots in the wrong positions. Requester: X and Y Size: These parameters are used to scale the texture in X, and Y. The texture can be stretched by scaling in only one direction. Stripe Width: This parameter allows you to set the width of the stripes in this texture as a fraction of the X/Y Size values. NX`poise 1 and 2: These are the noise functions used to add randomness to the weaved pattern. The magnitude value adjusts how much to alter the shapes of the stripes, and the velocity value adjusts weather the noise is applied in a fast and jerky or slow and gradual manner. Bump Adjust: This parameter adjusts the apparent height of the stripes as they weave under and over each other. Horiz and Vert Stripe Colors: These parameters allow you to set thXa e colors of the stripes. If you enter a negative value for any of these parameters, the color for that stripe will be taken from the colors already on the object. Stripe Reflect/Filter: These parameters can be set to alter the reflectivity or transparency where the stripes fall. Negative values in any of these parameters will not alter the filter/reflectivity already on the object. sample object: primitive plane with Z axis perpendicular to it's surface. ===XbI=============================================== Specific Primitive Textures: ================================================== Checks Family: Type: Color, Reflect, Filter, Bump. These are just some more checkerboard textures, but these go further than the older one(s). The checks are independently scale able in all relevant directions. A base color can be set (or turned off), and the base color can be varied independently in all three colors (R, G, or B) as well as a Xc 0.0) would allow you to see the color adding effects that this texture has. Two colors can be selected, and the color of each window will be randomly interpolated from these. Requester: Low/Hi Threshold: These textures will totally cover objects with windows. These parameters allow you to control what fractional part of the windows, and which portion of the windows are turned on. The difference betXwween these values tells you what fractional part of all the windows will be turned on, the actual values determine which windows are turned 'on'. Min/Max Spacing: These parameters are used to set the size of the space (frame) between each of the windows. By having these set to non-equal numbers, the spacing between the windows will be set randomly between the values you selected. Transparency: This parameter sets the transparency of the windows. TXxҬNhe Window textures can add just colored windows to an object, or they can add transparent spots where you can see into the inside of the object. A negative value in any of these will tell the texture to use the colors that are already on the object. A negative value will tell the texture not to modify the transparency the object already has. Colors 1 and 2: These two parameters let you set up a color range from which the colors of the windows are randomly interXyӴpolated. Reflect Adj: This parameter can be used to set the reflectance of the windows. A negative value will tell the texture not to modify the reflectance the object already has. ================================================= RedWing Texture (Radial Windows) Redwing is specifically designed to apply properly to spherical objects. Requester: Radial Scaling: This parameter adjust the window scaling as the windows radiate out from the texXzture axis. Z Scaling: This parameter adjusts the window scaling in the Z direction. Sweep Division Adjust: This parameter adjusts the window scaling as they sweep around the Z axis. Integer values work best for this. sample object: primitive sphere. ================================================= RectWind Texture (Rectangle Windows) RectWind is specifically designed to apply properly to flat/cubic objects. Requester: X, Y, anX{/7d Z Sizes: These parameters control the window scaling in each axis independently. Adjusting them separately will allow you to stretch the window shapes. sample object: primitive plane extruded 100 units in Y. ================================================= TubeWind Texture (Tube Windows) TubeWind is specifically designed to apply properly to cylindrical objects. Requester: Radial Scaling: This parameter adjust the window scaling as the windX|օqows radiate out from the Z axis. Z Scaling: This parameter adjusts the window scaling in the Z direction. Sweep Division Adjust: This parameter adjusts the window scaling as they sweep around the Z axis. Integer values work best for this. sample object: primitive tube. ================================================== Specific Application Textures: ================================================== Antique Texture (with Altitude Map) TX}type: Color, Reflect, Filter. The idea behind Antique is this: I wanted to take an object with an altitude brush map on it and make it look like it had gotten dirty (or antiqued) in the non-raised parts. This texture does this by keying off the red color already applied on an object, and this combined with a noise function helps in the dirtying up effect. To get this texture to work, first apply a brush as an altitude map and then as a color map. Now apply Antique (X~GlWthis texture) to the object and set the color, reflect, and filter values to the attributes you want (also set the specularity and hardness in the object attributes). When rendered, the color brush will be replaced with the colors you set in the requester, and the low parts of the altitude map should be pushed towards black. Try this with the attributes of brass or copper in the requester and do a full trace with some objects to reflect - it's very effective. RequestX?der: Color/Filter/Reflect: These parameters set the attributes which will be applied to the object in place of the colors already on it. This is not the attributes of the antiquing itself. The antiquing will be these attributes pushed to wards black with no reflectance. Using negative values in any of these will tell the texture not to modify this particular attribute. Noise Magnitude and Velocity: These parameters add some noise to the application of the antXiquing. The only way to turn off the effect of the noise is to set the Magnitude value to 0.0. Note: (1,25) is a good noise mag/vel pair. sample object: primitive plane with brush applied as both an altitude map and a color map ================================================= CndyAppl Texture (Candy Apple) Type: Color. This texture applies a candy apply type of finish to an object. The way it works is that as the angle between the incident light ray and the surX۴eAface normal gets bigger (as the surface starts to point away from the camera), the value of the object color gets pushed closer to black. The effect is subtle, but it adds a warm tone to the object. Requester: There are no adjustable values in this. sample object: primitive sphere. ================================================== CoolFir Texture Type: Color, Reflect, Filter. This texture is similar to the old Linear texture in that it does a color fade along theX7 Z axis from the object color at the bottom (negative Z) to the texture color at the top (positive Z). This difference between this texture and linear is that this one is scaled and moved by moving the texture axis and this texture also has a noise function that lets you alter the fade from a smooth color change to something that looks like a poor spray paint job to something more like wispy, curly fire. Requester: Color/Filter/Reflect: These are used to set the atXu?tributes of the positive Z part of this texture. Negative values will turn off the application of any particular attribute. Noise Magnitude and Velocity: This noise function disturbs the transition area of the texture. The magnitude parameter sets how much to disturb it, and the velocity tells the noise function weather the disturbance is fast and jerky, or slow and sweeping. sample object: primitive sphere. ================================================ FireXBall Texture Type: Color, Reflect, Filter. This texture was originally an attempt at using a texture to do fire - as it turns out, it has a lot more potential than just that. Remember: The only place you will see this texture is where it intersects a surface - it does not, on it's own, occupy space. The texture applies itself as a sphere that can fade from one color at it's center to a second color at it's periphery. Applying it to a plane, you can see the color fadeXd - applying it to a sphere, you will get a uniform color all over the sphere (unless you add some noise - which may well be the effect your after.) Any of the color/reflect/filter params can be set negative, in which case, the values will be taken from the object's original attributes. To do fire: create a candle flame shaped object. Apply the texture and select "Edit Axis" from the texture requester. move the center of the texture axis to the base of your flame.X Now scale the texture axis until one of texture axis extends beyond the top of your object. In the texture requester, set the noise to 0.3 and the "Filter 2" param to 1.0. Make the object bright. I've used this texture to airbrush certain areas on an object, to do burn marks, to create nebulous masses, and to do solar corona effects. Requester: Color/Reflect/Filter 1: These parameters set the attributes of the central part of the texture. Color/Reflect/FilterX8 T 2: These parameters set the attributes of the peripheral area of the texture. Noise: This parameter can be used to add some noise to this textures transition area. A good value is about 0.4. note: FireBall uses texture axis to scale - texture bounding box gives approximate size, shape, and orientation of the central attributes. sample object: primitive plane. ================================================= Gas Giant Texture Type: Color, Filter. XnD This texture applies rings of color to an object that, when viewed from the X-Y plane, makes stripes on an object, and when viewed down the Z axis will do rings. The texture has a noise function to disturb the straight banding that appears in this texture. By carefully selecting base colors for this texture, you can create planets similar to Saturn, Jupiter, Uranus, or even Rigel 12. By applying this texture carefully to a disk, you can create the rings that go arounX ~d the planets complete with spaces between the rings: Creating a planet that looks a bit like Saturn: Add a primitive sphere. leave the spheres attributes as-is, and apply GasGiant to the sphere. Add a primitive disk to the scene, and using Transform, rotate it's axis by 90 degrees around X (so that the objects Z axis will now point out of the surface). Scale this disk to 2.3 times it's original size, and rotate it 90 degrees about it's X axis so it is oriented propX'Kerly around the sphere (the planet). Changes the disks filter attribute to 255, 255, 255, and apply GasGiant to the disk. Make the following modifications to the GasGiant texture on the disk: Set the Minimum Ring Radius to 60 and the Maximum to 115. Set the Filter Adjust to 1.0. Set either the Noise Magnitude or the Noise Velocity to 0.0. There it is. If the bands on the planet look too stormy, adjust the noise values so they don't add as much disturbance as theyXZh do. If the colors aren't quite right, adjust the two base colors in the texture to two that better represent the color range you're looking for. If there is too many bands in the rings around the planet, change the Banding Width Adjust to a larger number to get fewer, but wider rings. Requester: Minimum/Maximum Ring Radius: This texture has a specific region over which it applies itself. This region is defined as being within a certain radial range from theXNoQ texture axis. Outside of this region, the texture does nothing. At the edges of this region, the texture fades to fully filtered. Within the center of this region is where this texture does it's thing. These parameters set up this range. Colors 1 and 2: These parameters set up two colors from which all the colors used in the banding are randomly interpolated. Banding Width Adjust: This parameter is used to adjust the approximate width of the color bands inX/ly this texture. Filter Adjust: This texture allows for bands of filtered out areas along with the color banding. This parameter sets how far towards fully transparent these filtered bands can get. Noise Magnitude and Velocity: This noise function allows you to make the bands look as smooth or stormy as you want. The magnitude controls how much disturbance is added. The velocity parameter controls how fast that noise sample object: primitive sphere. =XYm{================================================= HrdStrip Texture (Hard Stripes) Type: Color, Reflect, Filter. This texture applies Stripes to an object. The idea is for adding like racing stripes, etc. The requester has room for three stripes. The texture, if applied to a plane, needs the Z axis coming out of the surface. Note: You can get some hint about how the stripes will be applied by looking at the texture's axis (use Edit Axis). The bounding box is approxX|Qimately the height of the three stripes that are defaults in this texture (the axis size doesn't change when you change the stripe sizes nor vice versa). Requester: Stripe 1 and 2 Spacing and Width: The Width of, and Space between, each stripe is set with the first 5 parameters in the requester. Stripe 1, 2, and 3 Colors: Each of the three stripes then gets it's own color settings. Any of these can be set to -1 to turn the stripe off. Stripe Reflect/Filter: FinXx_ally, all three stripes share reflect and transparency (filter) values. sample object: primitive plane with Z axis perpendicular to it's surface. ================================================ Iris Texture Type: Color. This texture was specifically designed to do the colors of an iris in an eyeball. The texture is applied to a black disk with it's Z axis coming out of it's surface. It has four colors that can be set. Two of the colors are used as base colors froXX|m which a range of colors is interpolated to get the rays of coloring that go from the pupil to the edge of the iris. One of the other colors is for the band of color around the pupil, and the last is for the band of color around the outer edge of the iris. A noise function is also included to give the color banding a more non- uniform look. How it works: Add a primitive disk, and use Transform to rotate the disk's axis by 90 degrees around the X axis. Change the coXglor of the disk to 0,0,0 (black) and apply Iris (the texture) to the disk. Accept the defaults in the requester. It's that easy. Requester: Inner/Outer Radius: These parameters set the size of the Iris texture. The inner radius is the radius of the pupil, and the outer radius is the radius of the outer edge of the iris. Iris Color 1 and 2: These colors are used to set up two colors that the texture will randomly interpolate between to come up with colorsXp. for the iris. A negative value in any of these parameters will tell the texture to use the color(s) already on the object. Inner Color: These color values set up the color of the edge of the iris near the pupil. A negative value in any of these parameters will tell the texture to use the color(s) already on the object. Outer Color: These color values set up the color of the outer edge of the iris. A negative value in any of these parameters wiXLHbll tell the texture already on the object. Noise Magnitude and Velocity: These parameters add some noise to the area of the iris that just uses the iris colors. sample object: primitive disk with Z axis perpendicular to it's surface. ================================================ LensFlar (Lens Flare) Texture Type: Filter. Lens Flare is designed to emulate the flaring effect that light sources sometimes have on cameras. The texture is applied to a flat surfacXc e with it's Z axis pointing out of the surface, and it adjusts the transparency of the object so that four separate shapes appear, a flare, a ring, an eight pointed star, and a four pointed star. The size and density (intensity) of each shape can be adjusted. The colors already on the object show up as the color of the star. For example, apply FireBall texture so that the center of a disk is white, and the edges are purple, and the flare will fade from white at the cX`Zenter to purple at the edges. Requester: Flare Radius: This is the size of the inner flare. Flare Inten (0..1): This adjusts how intense the flare is - how non- transparent. Ring Radius adj: This adjusts the size of the ring around the flare. Ring Select(1,2,3..): This can be used to adjust the radius of the ring, but where Ring Radius Adj changes the thickness of the rings, this won't. Ring Inten (0..1): This adjustsX$6 how intense the ring is - how non- transparent. Star 1 Max Radius: This sets the size of the eight pointed star. star 1 Inten (0..1): This adjusts how intense the eight pointed star is - how non-transparent. Star 2 Max Radius: This sets the size of the four pointed star. star 2 Inten (0..1): This adjusts how intense the four pointed star is - how non-transparent. Notes: If you use FireBall to paint the Flare object, remember to set the filter adjust nuXia/mbers to -1.0 so that FireBall doesn't re-affect the filtering set up by LensFlare. Sample object: primitive disk with Z axis perpendicular to surface. ================================================= Metals Texture Type: Color, Reflect, Bump. This texture was put together so I could have consistent and pre- packaged metallic textures. The requester lets you pick from 6 metal looks (Gold, Brass, Copper, Chrome, Silver, and Aluminum), and 6 finishes (Smooth, Bumpy, PXY'Feened, Scratched, Pebbled, and Crumpled). It also lets you set how highly polished (how reflective) the object is or (if you use an antiquable texture) how much antiquing is used. As a default, the texture sets the object to be highly reflective. The Requester doesn't give any hints to this, but the textures can be scaled be changing the size of the texture axis. Requester: Metal Number: Enter the number of the requested metal - the numbers are explainedX[4 on the requester itself. Dull/Polished: This parameter turns the reflectivity of the metals down/up. Finish: Enter the number of the surface texture you want to use - The numbers are explained on the requester itself. Antique: This parameter adds antiquing to metals with bumpy finishes on them. sample object: primitive sphere =================================================== MntnTop Texture (Mountain Tops) Type: XuzColor, Reflect, Filter. This texture is similar to the old Linear texture in that it does a transition from the object attributes (in negative Z texture axis) to the attributes which are set in the MntnTop Texture requester (in positive Z texture axis). The main difference between this and the old Linear is that this texture has a user controllable noise function and the transition width as well as the position are set by moving/scaling the texture axis. Note: This textXf!ure can be reapplied several times, at different positions and with different colors and eventually fade to transparent to get an interesting wall of fire look. Requester: Color/Filter/Reflect: These are used to set the attributes of the positive Z part of this texture. Negative values will turn off the application of any particular attribute. Noise Magnitude and Velocity: This noise function disturbs the transition area of the texture. The magnitude parameteX r sets how much to disturb it, and the velocity tells the noise function weather the disturbance is fast and jerky, or slow and sweeping. sample object: primitive sphere. ================================================= SftStrip Texture (Soft Stripes) Type: Color, Reflect, Filter. This texture applies soft edge stripes to an object. The idea is for adding stripes that can look like a soft spray painted line or even like neon-type stripes on an object. The requesXJter has room for three stripes. The texture, if applied to a plane, needs the Z axis coming out of the surface. Note: You can get some hint about how the stripes will be applied by looking at the texture's axis (use Edit Axis). The bounding box is approximately the height of the three stripes that are defaults in this texture (the axis size doesn't change when you change the stripe sizes nor vice versa). Doing Neon or Phasor-like beams: Add a primitive planXe, and change the default attributes to make the plane bright and fully transparent (filter = 255, 255, 255). Using transform, rotate the plane's axis by 90 degrees around the X axis (so that the Z axis points out of the plane's surface). Apply SftStrip to the plane. Make the following changes to the texture: Set Stripe 1 and Stripe 3 Width to 0.0. Set Stripe Filter to 0.0. Now render the plane, and you should get a green neon stripe in your picture. Requester:XR Stripe 1 and 2 Spacing and Width: The Width of, and Space between, each stripe is set with the first 5 parameters in the requester. Stripe 1, 2, and 3 Colors: Each of the three stripes then gets it's own color settings. Any of these can be set to -1 to turn the stripe off. Stripe Reflect/Filter: Finally, all three stripes share reflect and transparency (filter) values. sample object: primitive plane with Z axis perpendicular to it's surface. ================XeD================================= Transpar Texture (Transparency) Type: Filter. This texture works on a very simple idea - take all the colors on the surface of an object and convert them to filter values. This can be used on brush maps or on procedural color maps (textures). The transparency adjustment in the requester allows you to adjust the amount of transparency so that if you render an object that is made transparent, the colors will still look good. The texturXe can be used to put things that look like slides into a scene, and it can be used to create things that shadow casting light sources can interfere with. Shadow casting example: Add a primitive sphere. Add a ground and move it below the sphere. Add the Worm Vein texture to the sphere and accept the defaults. Add Transpar texture to the sphere and accept the defaults. Add an axis to the scene and make sure its in the center of the sphere. On the axis, modify theX attributes to make the axis a shadow casting light source. Now render this scene with the shadow casting light source being the only light source in the scene (in quick render, click on "Don't Add Light Source"). The texture on the sphere will be cast as a colored shadow onto the ground. Requester: Transparency: This sets the transparency level of the resulting object. Fully transparent seems to mess up the looks of the colors when viewed directly. SXwetting this to a lower value (like 0.5) fixes this. sample object: primitive plane with brush applied as color map ================================================ Venetian Texture (Venetian Blinds) Type: Bump. This Texture applies a bump map to an object that sort-of emulates a closed venetian blind. It could be used for siding on a house, or anything that needs textured stripes. Requester: Z Size: This param sets the vertical height of Xeach slat in the blind. Bump Adjust: This sets the apparent depth of the blind - can be set to negative to invert the bumps. sample object: Plane with Y axis perpendicular to surface ================================================== Z Buffer Texture Type: Color. Z Buffer is a very specific use texture. This texture takes the Y position of a surface within a scene, and uses that to determine the color of the surface. This allows you to get depth infoXrmation about object placement. Requester: Y1 and Y2: These are the front and back limits of this textures application (global coordinate values). Everything beyond these limits will be set to the texture color nearest. Y1 and Y2 Color: These are the color values associated with the Y1 and Y2 coordinates. The color of any point on the object will be tweened from these. sample object: primitive sphere. ======================XVƪ=========================== it, and the velocity tells the noise function weather the disturbance is fast and jerky, or slow and sweeping. sample object: primitive sphere. ================================================= SftStrip Texture (Soft Stripes) Type: Color, Reflect, Filter. This texture applies soft edge stripes to an object. The idea is for adding stripes that can look like a soft spray painted line or even like neon-type stripes on an object. The requesodThis archive has been released as part of the Imagine 3D timeline history package. 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